"when you are holding a hammer, everything looks like a nail"
Label: HANDS, Reduced Phat, Black Monolith, Digital Hardcore Recordings, Industrial Strength Records, Hive Label Type: major Location: New York,
New York, United States
Member since: September 19, 2008 Account: Free Account
...over-caffeinated and dazed, awake without want, time brings about a collection of schizophrenic pieces crossing the calm ambience of sound scapes to the chaos of beats and bass brought about by the deeper thoughts of electronic arts created by EDGEY. Coming from the rise and fall of many genre's of electronica, never leaving his roots behind, EDGEY has managed to take the best from the past, while pushing the envelope of sound into the future. Working in the past veins of Industrial, Hardcore, Broken beats, Techno, Noise, IDM and Ambience, this genre-bending experience has proved to be most-valuable in his creation to push the realm of Drum n bass to it's varying extremes, all the while maintaining an originality, quality and emotion that lets any listener know: "This is EDGEY.”
"This producer's work is characterized by dense rhythmical violence, which is on his better days married to some sublime ambience, and on his worse days, married to almost nothing at all.” excerpt from FWD of raw42, a statement that clearly defines the nature of sound. Taking the Internet scene by storm, EDGEY has drawn fans worldwide, with well more than half a million downloads, individually selling numerous CD's, and drawing more exposure to the underground darker side of experimentalism in the field of drum n bass. Earning praise on various drum n bass community websites, as well as sound tracking independent film, engaging in remix activity, handling interviews and articles for print magazines and e-zines; EDGEY continues to help further the scene with positivity for growth.
Stephen Knight, the production mind behind the creation which is EDGEY, is a New York based native, and has been recording in various areas of electronic music for over 15 years, and has since released other works and projects for Ninja Tune Recordings, Digital Hardcore Recordings, Reduced Phat, HANDS Productions, Black Monolith, Industrial Strength Records, plus many others. Live performances primarily across the United States and International venues are all well received and will continue in the future. "If it weren't for the evolution, I think we'd just stagnate in a pool of our own boredom. Progression and experimentation is a big part of my music”, states EDGEY, on the subject of recording and live performances.
Maintaining a distinct persona amidst all the faceless audible art, EDGEY has made himself someone you cannot avoid, but then again, when he's releasing exceptionally produced tunes that sound like no one else, why would you want to?
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